In the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is naturally upright, his limbs muscular beneath a plain tee. On stage, dancers can appear as mighty gods, yet frequently in person they are petite. Not so Ball, whose height is one reason for his popularity for heroic roles and partnering. Possessing delicate features and piercing eyes, there's a hint of Robert Pattinson about him.
An Apparent Rise to the Top
At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Raised in Liverpool, he encountered little ridicule for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was advanced each year, attaining the top rank of principal in 2018. He has relished taking on meaty characters, especially the psychological angst found in a famed choreographer's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His next featured appearance is in a talk, in an "In Conversation" series aiming to offer intimate insights into a dancer's art. He will guide the crowd through a part, demonstrating his cognitive workflow while execution. Yet in lighter works, the challenge is significant. "A classic ballet is one of the most demanding technically," he states.
The Psychological Struggle and Post-Performance Emotions
How does he feel following a performance, when he has pulled it off? "It feels pretty good," he admits. "However because I'm trying to extract all the emotion out of it, and get immersed in the character, quite often I do feel embarrassed later. After an intense role I'm always like: God, what must people think?"
In person, Ball is reflective, polite, and prone to laugh at himself. Yet a dance maker previously remarked on a "sense of suffering in him." Does this exist? "I am very active in general, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."
Formative Drivers and Creative Inspirations
Ball's tenacity stemmed from youthful setbacks. Not excelling in contests at school made him "driven!" This became motivation to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.
The next endeavor is creating his own choreography. In his view, "organic movement has value." "Breaking the conventions is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, compositions, and painting.
Close-Up Dance and Private Dynamic
He also is interested in presenting dance in more intimate venues. "It was just really thrilling," he says of a previous experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." The couple are not usually matched on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite cheerleader."
Regarding Instagram and Bodily Image
On social media, fans can see clips from his dance films and images that highlight a sculpted physique. Does he care that the engagement can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.
Ball describes his younger self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate thing to the aspirations you had as a child," he muses. He likely has another decade of performing left. "I suppose in the future, I want to be a bit more kind with myself."