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Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Look at Ecstasy Generation Era

Produced by Portishead co-founder the musician-producer, this sharp-edged though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

Game releases in UK and Irish cinemas from November 17.

JR
The writer

John Reed

Oliver is a tech enthusiast with over a decade of experience in journalism, covering emerging technologies and digital trends.

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